The Rhythm of Shane PhilipCoastal pied piper gets everyone doing the subterranean grooveBy Shelley Gummeson
Shane started banging out his musical signature on floors and tables shortly after he was born. “I’ve always been into percussion and rhythm,” he says. While in elementary school, he added his first strings - a ukulele. As a teenager he was given a Yamaki He went on to graduate from teachers college, with a background in phys.ed. and kinesiology, and fell into a job teaching social studies to volatile ninth grade students. In an effort to make the course material more interesting, Shane collaborated with another teacher who was also musically inclined. Together they wrote songs that put the curriculum to music. The mix that would make up the Shane Philip sound continued to add layers. “I was attending a show on Quadra Island; it was a group that was called Island Rhythm. They were masterful drummers and in the middle of the show this guy comes out with a didgeridoo. When he played that didgeridoo with those drums, it just blew my mind. A didgeridoo is just one note, but when I heard what he could do with one note, it changed my life.” Shane ended up buying a didgeridoo and began to teach himself to play. According to Philip, “Every didgeridoo player goes through that…they make horrible noises. You go through all your bathroom noises, but eventually if you stick with it you get a nice smooth note. Then you need to sustain that note through a process called circular breathing. Playing the didgeridoo is kind of like playing the drums with your breath.” “After that”, he says, “I realized that this music thing is a heck of a lot more fun than teaching. It didn’t take long for me to realize that my interests and my creativity weren’t being completely fulfilled teaching, so I knew I had to move on to something else. I left teaching behind cold turkey. I’ve been writing songs all my life so I made the decision to follow my passion completely. Boy did it work out. I’m happier than I’ve ever been.” Three albums have marked Shane Philips’ musical journey. The first album, Om Cooking, is what he cheerfully describes as “Nothing but an experiment in self indulgence.” The second album Earthshake was Shane Philip playing solo and was recorded live off the floor. “If you were to label Earthshake, it would be world folk,” he comments. The latest release is called In The Moment. “With In The Moment, The songs that Shane writes are products of the environment that he lives in. “Music is an expression of who you are. I have an ocean to look at every day. I kayak, I run; nature is such a big part of my life. It can’t help but appear in my music intentionally or unintentionally.” With the song “Push On Through” on In The Moment, Shane asks the question, What would make your world a better place? What can you do? People phoned in their ideas and comments, which were recorded and set against the backdrop of his music. Shane Philip has a unique connectedness to his environment and to his audience. Whether you hear the music as world folk or folk world, Shane Philip is able to intuitively harness the sound of the earth - the om - then weave the magic of his melody into it. It is a musical dance that captures all; it is the subterranean groove. You can see Shane Philip in these communities, as he tours this summer May 3rd, 2008 May 17th, 2008 May 22nd, 2008 May 23rd, 2008 May 24th, 2008 Jun 15th, 2008 Jun 20th, 2008 Jul 5th, 2008 Jul 17th, 2008 Jul 18th-20th, 2008 Jul 23rd, 2008 Jul 26th, 2008 Jul 30th, 2008 Aug 3rd, 2008 Aug 4th, 2008 |