Bedroom BlissBy Anne Sulikowski3 of 3 <Back 9. Does Pay WHat You Can work for music series like the PiNG? Jamie - So far the PWYC policy has been very successful and our audience has been very generous in supporting the bands and the PiNG. Most nights, the performers are getting more than what they used to get from our old arrangement with C'est What/Club Nia when attendance was free and C'est What paid the bands a fixed amount plus a share of the bar. The biggest change for us is that we always have to have someone at the door now, but it has also allowed some bands to do a promo where they give away CD if you pay a minimum amount to get in. This works really well as the performer makes more and gets their art into more hands as a result. 10. What's your favorite tool for making ambient music?
Scott - Someday I'll be a laptop fiend like Jamie, but I still love my hardware synths - except when I'm hauling them to gigs and still wiring things up when Jamie's all set to go. I cook up my "signature" ambient sounds on the Roland JV series synths - particularly the JD-990 and XP-60. 11. You mention software, but what about your old music hardware, have you kept it? Jamie - For the most part, once I'm attached to an instrument or piece of studio gear, I'll keep it as I have time and sounds invested in it. Every instrument is unique and its hard to part with old friends, so yeah I'm keeping my old synths and studio gear. Scott - I've kept mine. After I put a little bit or a lot of my soul into programming sounds for an instrument, I want those sounds available to me when the time is right for them. The even older non-programmable beasts are the kind I've built a different sort of relationship with - I think about changing a sound and my hand just goes there. No menus, no pages - my hand just goes there. 12. So when was the last time you used those older tools to make music?
13. What other synths are currently part of your sound making palette? Scott - My Nord Modular and Novation Nova come out for most of our shows and some older beasts like a Korg MonoPoly or Moog Modular make an appearance from time to time. Gear heads should see us now before I become a Laptop Borg too... My resistance is futile... Jamie - Like I said Absynth is my go to synth most of the time although the soft emulation of the PPG Wave has been my fad when working with arpegiators. The drum machine in Reason (Redrum) is like an old friend as it is modeled on those early drum machines of the 80's. SynthEdit is a modular environment that allows me to tinker up and build just about any audio or midi toy I need. I'm also quite fond of the additive resynthisis approach of the Cameleon 5000 and the spectral capabilities of Plogue Bidule which have been fun, but baffling to experiment with. Ten years ago, I lusted after these synth capabilities, but could only afford to explore some of them, but now I can explore just about any approach to synthesis I want thanks to the soft revolution.14. Do you have any dreamSTATE sound files available online? Scott - Our website at www.dreamstate.to has mp3s for streaming or download plus live photos and such. 3 of 3 <Back Part 1 Part 2 Part 3 |